Emerson self reliance essay summary

Many parents rationalize that as long as they are self-reliant, their children will automatically become self-reliant. This may be true to a small degree but many parents today who are self-reliant became that way because they were raised with less and needed to reach inside to find the strength to accomplish what they have. They were raised to be self-reliant and needed to be in order to survive. Because these parents know the long road they traveled, they, out love and good intentions don't want their children to struggle like they did and instead place cushions under their children to make things easier for them. This mind-set spawns dependency and less self-reliance.

This lesson prepares the instructor--even at the college level--to teach Emerson. It provides important context, explanations, and glosses of Emerson's dense but famous essay. Emerson's work is challenging for students, even at the college level, because his writing does not appear to be transparent or follow the form of a logical, traditional argument. This lesson provides openings and important instruction into how to approach AND understand Emerson. It is designed in such a way that students (and professors/teachers) have the tools they need to engage with his philosophical ideas, as well as with his style and rhetoric. Indeed, this lesson makes Emerson relevant by requiring students to consider and then respond to the basic tenets of "Self-Reliance." The nod to Twitter in the activity is creative and fun. My only suggestion would be to consider in what ways Emerson and his ideas and work have come to occupy a hallowed space in American culture and the American literary imagination.

Three years later in 1844 Emerson published his Essays: Second Series , eight essays and one public lecture, the titles indicating the range of his interests: "The Poet," “Experience,” “Character,” “Manners,” “Gifts,” “Nature,” “Politics,” “Nominalist and Realist," and "New England Reformers.” “The Poet” contains the most comprehensive statement on Emerson's aesthetics and art. This philosophy of art has its premise in the Transcendental notion that the power of nature operates through all being, that it is being: "For we are not pans and barrows . . but children of the fire, made of it, and only the same divinity transmuted." Art and the products of art of every kind—poetry, sculpture, painting, and architecture—flow from the same unity at the root of all human experience. Emerson's aesthetics stress not the object of art but the force that creates the art object, or as he characterizes this process in relation to poetry: "it is not metres, but a metre-making argument that makes a poem." “The Poet” repeats anew the Emersonian dictum that nature is itself a symbol, and thus nature admits of being used symbolically in art. While Emerson does not accept in principle social progress as such, his philosophy emphasizes the progress of spirit, particularly when understood as development. This process he allies with the process of art: "Nature has a higher end . . ascension, or the passage of the soul into higher forms." The realm of art, ultimately for Emerson, is only an intermediary function, not an end itself: "Art is the path of the creator to his work." On this and every subject, Emerson reveals the humanism at the core of his philosophy, his human centric perspective that posits the creative principle above the created thing. "There is a higher work for Art than the arts," he argues in the essay "Art," and that work is the full creative expression of human being. Nature too has this “humanism,” to speak figuratively, in its creative process, as he writes in "The Method of Nature:" “The universe does not attract us until housed in an individual.” Most notable in "The Poet" is Emerson's call for an expressly American poetry and poet to do justice to the fact that “America is a poem in our eyes." What is required is a "genius . . with tyrannous eye, which knew the value of our incomparable materials” and can make use of the "barbarism and materialism of the times." Emerson would not meet Whitman for another decade, only after Whitman had sent him anonymously a copy of the first edition of Leaves of Grass , in which—indicative of Emerson's influence—Whitman self-consciously assumes the role of the required poet of America and asserts, like his unacknowledged mentor, that America herself is indeed a poem.

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Emerson self reliance essay summary

emerson self reliance essay summary

5 Comments

Trackbacks
  1. Difference Between Rock and Classical | Difference Between | Rock vs Classical
  2. Difference Between Mood and Tone | Difference Between | Mood vs Tone
  3. Difference Between Highlights and Lowlights | Difference Between | Highlights vs Lowlights
  4. Difference Between Foundation and Concealer | Difference Between | Foundation vs Concealer
  5. Difference Between Abs and Six Pack | Difference Between | Abs vs Six Pack
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