This scene further focuses our attention on the use of sheep imagery in connection to money and breeding. Here Shakespeare plays on the words "use", "usury", and "ewes", all of which will be punned throughout the play. All the sheep imagery is on Shylock's side throughout, for he is fleecing the Christians, breeding the ewes. He therefore mentions Jacob as his defense for taking interest, and we can note later that Shylock's wife is named Leah, the same name that Jacob's first wife had. Shylock is also able to make his money breed like sheep through the charging of interest. On the other hand, the Christians have Jason and the Golden Fleece. This image is used in connection with Bassanio, the risk-taker, who risks everything to gain everything. The same image will figure later with Antonio, who is represented as a wether, a castrated sheep. Thus the concept is reinforced that Antonio does not make his money breed because he refuses to charge interest.
Most of Shakespeare's comedies return to the first city in which they are set. However, this type of ending is uniquely absent in The Merchant of Venice. The final scene moves away from the abandonment of Shylock in Venice, shifting instead to Belmont. Belmont, however, is not nearly as idyllic as it appears throughout the play. Indeed, it represents wealth derived from inheritance, built on the merchandising of Venice, and is therefore a paradise founded on the despised trade it claims to hate. Ending the play in Belmont serves to remind the audience that the play can be viewed as anything but a comedy, and that in fact it is in many ways a tragedy.