Aboriginal art essay

From the formal studio portraits of the 1950s to the outdoor extravaganzas of today, the way we capture our precious wedding memories has changed dramatically over the years. A name synonymous with wedding photography in Albury for much of last century was McPherson Studios, which operated in Dean Street from the 1930s to the 1980s. This exhibition looks at the ways in which weddings, love and marriage have been captured by photographers. Featuring wedding portraiture from the 1930s to 1970s, photographs by Diane Edmondson, who trained at McPherson Studios, from the 1970s to 2000s, photographic technology, wedding gowns and film, Capturing I Do is a fun exhibition that celebrates wedding trends of the past as well as looking at what marriage means in society today and into the future.

Hip-hop dance started when Clive Campbell, aka Kool DJ Herc and the father of hip-hop, came to New York from Jamaica in 1967. Toting the seeds of reggae from his homeland, he is credited with being the first DJ to use two turntables and identical copies of the same record to create his jams. But it was his extension of the breaks in these songs—the musical section where the percussive beats were most aggressive—that allowed him to create and name a culture of break boys and break girls who laid it down when the breaks came up. Briefly termed b-boys and b-girls, these dancers founded breakdancing , which is now a cornerstone of hip-hop dance. [12]

. Dempsey, Indian Tribes of Alberta (1978); P. Drucker, Indians of the Northwest Coast (1955); W. Duff, The Indian History of British Columbia (1964); . and . Hanks, Tribe Under Trust: A Study of the Blackfoot Reserve of Alberta (1950); . Hawthorn et al, The Indians of British Columbia (1958); D. Jenness, The Indians of Canada (1932); T. McFeat, ed, Indians of the North Pacific Coast (1966); . Mandelbaum, The Plains Cree (1979); . Morrison and . Wilson, The Native Peoples: The Canadian Experience (1987); A. Ray, Indians in the Fur Trade (1974); . Ray, Cultural Relations in the Plateau of Northwestern America (1939); . Sturtevant, gen ed, Handbook of North American Indians , vol 15: Northeast, ed, . Trigger (1978) and vol 6: Subarctic, ed, J. Helm (1981), other volumes are forthcoming; . Vanstone, Athapaskan Adaptations: Hunters and Fishermen of the Subarctic Forests (1974); M. Zaslow, ed, A Century of Canada's Arctic Islands 1880-1980 (1981).

Aboriginal art essay

aboriginal art essay

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